![]() Most teachers will use a darker "brown" here, but it's really not a good choice. I added a cool color to the area of the eyelid that I wanted to look receded. We want this texture to show up with the color we'll put on top of it! Colored pencil users use a fair amount of pressure here, but keep it "open" with lots of space between marks. Ultimately this seems to be the texture of the skin. During this step, feel free to be rough or tight. Now comes the fun part! I created a rough "cross hatch" texture to represent the skin texture. I desaturated the darker shadow on the outer corner of the eye, and I also added a touch of this color to the inner and outer edges of the shadow line of his lids. Color pencil users should only use this color on the eyeball, not the skin, to ensure that the skin area has enough teeth for the upcoming layers. I added a very light primer to the "white" of the eyeballs and the skin above and below the eyes. I paint the outer edges of the eyeballs, the upper and lower lips of the eyelids, and the tear ducts and wrinkles under the eyes. Colored pencil users should use medium-weight pressure here to blend and blend the color while still maintaining enough teeth to add a few layers. I "desaturate" or "grey" the colors in the iris. Colored pencil users should use medium pressure here, as we'll be layering two more colors on top of it to create a rich, velvety "black". I start by coloring in the pupil of the eye. Black lines are artificial and difficult to overcome when creating realistic compositions. Whenever I want to create a realistic image, I usually use colored lines. In this tutorial, I will use colored line drawings.
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